Monograph by Matthew Kangas with a preface by art historian Peter Selz and foreword by historian Deborah E. Lipstadt, published under the auspices of the Museum of Northwest Art
• Opening at Art Center Gallery, Seattle Pacific University, December 1996
The artist discussing her work at the opening of her exhibition at the Seattle Pacific University Art Center gallery, December 1996, including a conversation with art professor Larry Metcalf.
In an interview from 1995, MFA describes her childhood in a loving family in Debrecen, Hungary; the antisemitic legislation of 1938; deportation to Auschwitz (July 1944), Bergen Belsen and a satellite camp of Buchenwald in Magdeburg; liberation; and coming to the School of Art at the University of Washington on a Hillel Foundation scholarship in 1948, leading to her career as an artist.
• Interview, 1974
• Interview conducted by Shirley Tanzer for the American Jewish Committee's William E. Wiener Oral History Library Holocaust Project, January 1976
Family history, childhood and youth in Debrecen
German invasion March 19, 1944, through deportation, June 27th, 1944; Auschwitz-Birkenau
Transfer from Auschwitz; Bergen Belsen; Buchenwald/Magdeburg; liberation
April 1945 through February 1948: crossing Germany; return to Hungary; JDC DP camp in Linz; Hillel scholarship; Stuttgart; NY; Seattle
Student years 1948 - 1952 at the University of Washington School of Art; marriage; return to graduate school 1962 - 1963
Opera designs; personal life; responses to Holocaust witnessing; artist's isolation; Jewish community
Professors Deborah Lipstadt and Edward Alexander; Jewish studies; antisemitism; Israel
German restitutions, Germany; America, free speech; sources and processes of artistic imagination; reflections on Holocaust
Transcripts from the above interview are included in Voices from the Holocaust, Sylvia Rothchild, ed. (New American Library), 1981
Four Piano Miniatures after paintings by Maria Frank Abrams, by her grandson, composer Omri Abram